![]() Even as technologies evolve-and are certainly valid-film should not be looked upon as primitive or outdated. What did film give you aesthetically and technically that made it your preference over other means of capture for this movie?įilm is the real deal and is the origin of cinema. Later, IMAX came into the picture, and things kind of ramped up from there. digital discussion must be made with producers and the studio in preproduction, and it's not always easy to convince all parties, but Zack makes it a priority, which certainly helps.Īt first, it was going to be strictly 35mm anamorphic, but at one point, Zack was considering shooting in 65mm. It's what we learned and embraced separately growing up and together in film school. Larry Fong, ASC: For Zack and me, the preference has always been film from the beginning. InCamera Magazine: Why the choice of film as the capture medium? Was this decided early or later in preproduction? Wanting to lend the film an organic texture, the filmmaking duo chose to shoot on KODAK film stock, and while wrapping his latest lensing work on Kong: Skull Island in Australia, Fong explained his methodology behind Batman v Superman. Fong previously photographed Snyder's 300, Watchmen and Sucker Punch. To shoot this epic superhero battle, Snyder brought aboard a frequent collaborator in Larry Fong, ASC. After the Man of Steel wrecked Metropolis, Batman (Ben Affleck) believes that kind of power can't go unchecked and decides to take on Superman (Henry Cavill) himself-with a little help from supervillain Lex Luthor-in director Zack Snyder's Batman v Superman: Dawn of Justice.
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